
Training in Mixed Martial Arts (MMA), Close Quarters Combat (CQC) & Self Defence with classes & seminars throughout Edinburgh: Knife defence, Gun Defence, Close Quarters Combat, Self Protection, Silat, Kali, Jujitsu, Eskrima, Arnis, Kupso, Tae Kwon Do, Karate, Brazillian Jiu Jitsu (bjj), Jeet Kune Do (JKD), Edinburgh Martial Arts, Edinburgh Self Defence, Edinburgh Mixed Martial Arts, Filipino Self Defence, Edinburgh Martial arts College, Krav Maga Edinburgh, Black belt academy, Self Defense, Wing Chun, Judo, Ninjitsu, Filipino Combat Systems (FCS), Aikido, Kickboxing, Muay Thai, Sayoc, Pekiti Tirsia, Doce Pares, Fighting, Combat, Scotland, Bagua, Kung Fu, Weapons, Machete, silat suffian bela diri, ssbd, seminars, seminar, CREST


3rd Dan - ICQC
2nd Dan - TKD, Jujitsu,
Silat, Kali
Qualifications
recognised by:
AMA
&
NAKMAS


"Fractal":
A fractal is "a rough or fragmented geometric
shape that can be split into parts, each of which is (at least approximately) a
reduced-size copy of the whole." (Mandlebrot, 1982). Approximate examples of
fractals are frequently found in nature - for example in some crystals, the self
similar pattern of snowflakes, or even blood vessels in the body. The best known
applications of fractals are as an advanced mathematical concept, where their
self replicating pattern can be used to make predictions of regularity and
structure within chaos.
Bearing in mind the highly complex application of fractals in mathematics and
physics, our application of fractals with respect to Fractal Fighting Arts is
almost embarrassingly simple. The essence of what we teach is that every
movement is made up of the same constituent body structures, movements and
shapes. We can only move in so many ways, and if you strip each movement back to
its simplest actions, you will find that there is actually very little that
seems to be happening. However, the reality is that we don't live in a
reductionist world. A neuron firing on its own does not produce thought or
consciousness, but millions of them firing does. A single dot of paint is not
(often) considered art, but multiple controlled brush strokes have formed the
best known paintings of the civilised world. The same concept applies to combat.
An individual twist of the waist or placement of a limb seldom produces the
means to end a conflict...but these constituent parts combine to form the
fighting arts that we teach. The movements are all self similar, and they can be
analysed individually at any magnification and at any level of resolution and
look the same; but yet they form almost infinitely complex patters in the
movement.
True understanding of what we are trying to achieve is not the easiest thing to
grasp. It is all too easy to see nothing but techniques, all of which may look
different - and if you were to try to "memorise" them all, the system would be a
nightmare. However, memory of techniques is not the goal. Deeper understanding
of the necessary body structures of you and your opponent, and the underlying
principles, concepts and theories is what makes the approach of Fractal Fighting
Arts truly unique when compared to the vast majority of other martial arts
systems out there.
Logo: Central Triangles: Triangles are
everywhere. Geometrically they are the
strongest
available shape, and are self reinforcing. We actively apply triangles in
almost
every aspect of
combat, from entering, to locking, throwing and footwork
patterns. The structure
of the triangle
allows for the practitioner who understands how
to apply them combatively to be
able to rely on
maintaining structural superiority over
their opponent instead of having to
resort to superior
strength alone. The replication
of the triangles within each other is
representative of the
concept of self
similarity shared
by all fractals, and is similar in form to the
Sierpinski Triangle
from which this aspect of
the logo draws inspiration.
Conceptually, one can zoom in to
infinity and still find each part (and its opposite - for
there is an upward and
a
downward triangle),
yet also have the ability to find entirely
new combinations
because of this
depth.
Finally (and more simply), the three triangles
also represent
the three primary
syllabus levels within
Fractal Fighting Arts.
Logo: Laurel: The meaning of the adapted laurel surrounding the central triangles is two fold. First it is an historical reference to our roots with Crest Martial Arts from which the concept of Fractal Fighting Arts was born. Secondly it represents the academic side of the martial arts. We do not just fight, we try to understand. Though indeed martial arts are inherently an "art form" and a method for self expression, it is of vital importance that we embrace our natural thirst for knowledge and gain the best possible understanding of the relevant principles, concepts and theories. These include academic analysis of phenomena such as human balance (and the evolutionary processes behind it), basic geometry (and its applications in the body), physiology and anatomy (the internal structures of the body and their macro-functions), psychology (at multiple levels, including the function of the amygdala, workings of the adrenal and limbic system, understanding of social processes with respect to physical confrontation etc.). These elements (and many others drawn from our classical Indonesian systems) form the academic basis for what is taught within Fractal Fighting Arts.
Logo: Outer Circle/Aperture: There are several meanings behind the outer circular structure. Circles (as with triangles) are commonplace in combat, and understanding of circular (and spiralling) movement can provide a solid base for several foot work patterns (Lankah) and methods of power generation (such as Gelek and Fa Jing). The circle represents continuation of learning throughout the life cycle, yet it is broken to represent freedom of expression and thought. The breaks in the circle provide both a route from life generally (everything that is outside of the circle) to the teachings of the martial arts (all that is inside the circle), and a route from the martial arts back to life itself.





